The memory of painting these pictures for you
Lawns undecided
vicinity
only odd
a lash on your cheek
believing it all
the crop in shade
evidently
though other-absorption encompasses
the seasonal
nuisances
painted
Her hips not swinging per se. Her belly on the fence
leaves
a remnant viewed through a spool
rips
You were not allowed to be much of anything
toiling to bear the torn picket line
The cradle
wooden
sadness above
And, styled as an unknown
drips of the afternoon
the sneakers
I was almost there
Up in the lighthouse signaling you.
Later shoulders seemed armor
And the tough spot we ink to lecture Mankind
On Love,
length of the spoon
the remnant multiplied
Was repeated
The examination
tumbleweed confidence
towering quartets
the offender being fire escape but not in ambiguity
undercurrents
the finger's thorn
to a jug of bathwater, dousing the mugshot with saliva
Instinctively stealing the goods,
pre-expiration
but dirty.
Awash with unfocused desire, Everett twisted the lobe of his one remaining
ear and felt the presence of somebody else behind him, which caused terror
to push through his nervous system like a flash flood roaring down the
mid-fork of the Feather River before the completion of the Oroville Dam
in 1959.
-- Grand Panjandrum's Special Award, 1984 Bulwer-Lytton
bad fiction contest.
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