A farce, which was this hemophiliac doorbell
stopped in its tracks, that is their blessed glistening
meanness, like tumblers to a toddler
a ritual was something else
nothing, no circumlocution, no zeronones
a one pain above or a waiting design
its a range, it introduced the l to the l
and made its point, systematically
within a chart there is a folder
inside all this and unusual
an echo the ear can't wrap, won't
cling, not unavailable in not selling
not absent and not adorned
the three-legged stool, not unheard
but ill-advised, and often.
They changed for dinner. In those days //
no one was in a hurry, it was real time //
every time. Usually the streets were saddled with fog //
at night. In the daytime it mostly blew away. //
We kept on living because we knew how. //
Maple seeds like paperclips skittered in the allees. //
We knew not how many enthusiasts climbed the slope, //
nor how long they took. It was, in the words of one, //
"beholding" not to know. We eased by.
-- John Ashbery, "Tension in the Rocks"
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