glass quiet turned tone resin
applaud the contours
a drama was here
curtains too
but give thought the layer
or finger the width
of there to stay
you made it true
in your stare at the painting
the painting, that's yours—
so why look?
(looking for looked for
in the here and now
is past possible)
accent the audience
(cluster cough rides chatter pedal)
yours truly,
times three
I'm a little worried about:
mired in sequence
becase all the things you are
(cymbal crash)
is ended—see
we climbed there already
to seek solace no
because inkstained
or welled up inside
can one say overwhelmed
better than too much?
or beat a waterfall retreat
we hear century a little late
and say what I think
the standard should be.
When I was younger, I could remember anything, whether it had happened
or not; but my faculties are decaying now and soon I shall be so I
cannot remember any but the things that never happened. It is sad to
go to pieces like this but we all have to do it.
-- Mark Twain
This page was last modified on 2011 December 20. "Music, for an Exit Poem" by John Sullivan is Copyright ©2003 - 2011, and licensed under the Creative Commons Attribution-Share Alike 3.0 United States License.