My living room is flooding, waist deep, and I can do nothing
but quiver and hope, like an earwig fallen from the curtain folds
of someone else's bathtub dream. I slip down the white sides
of sleep into morning's muddle, dehydrated, seeking
the flesh and burst of a grape.
This is an unfamiliar house, filled with familiar people who don't
belong together, who don't belong together
just as the courses of a fine dinner are not stirred
willy-nilly and drunk from a skinny glass
like so much Slim-Fast. I squirm through
clouds, dodging uncomfortable greetings,
Detroit-sized potholes, knowing that on these premises
are two people here to take me to a new home.
The rolled up art in the kitchen offers direction,
but its nuances blur into the din of too many friends on one couch.
Guilt extinguishes my street-corner cigarette, leaves no recourse
but the sip of a whiskey and tonic, the night's record,
and the resolve to try, tomorrow.
"...The name of the song is called 'Haddocks' Eyes'!"
"Oh, that's the name of the song, is it?" Alice said, trying to
feel interested.
"No, you don't understand," the Knight said, looking a little
vexed. "That's what the name is called. The name really is, 'The Aged
Aged Man.'"
"Then I ought to have said "That's what the song is called'?"
Alice corrected herself.
"No, you oughtn't: that's quite another thing! The song is
called 'Ways and Means': but that's only what it is called you know!"
"Well, what is the song then?" said Alice, who was by this
time completely bewildered.
"I was coming to that," the Knight said. "The song really is
"A-sitting on a Gate": and the tune's my own invention."
-- Lewis Carroll, "Through the Looking Glass"
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