No, it wasn't the same as my canyon-outlook,
But its stickiest fragment, a toe wiggle or a cough,
I pocketed. I remember
Drawing on red feathers the lost receipts
Of thrifty photographs, now adrift
In which direction? Isn't anyone
At the hole for us? We match well.
Thoughts resume their art. Autumn rakes
Are knee-deep. My son writes,
"not yet." Much interference is dialed-in
As the eavesdropper knows, but my own feeling
Is better viewed from a cliff.
Why no respite from outsider predictions,
From these dandelion idiots? This passion for blinds?
Coincidentally the hailstones, falling like crumbs,
Will always aggressively ask the window for seconds.
Not the case with my catalog picture of you
Under the mistletoe. Bundled there
Are whodunits and nibbles of cookie—
Lumpy potatoes, lumps of pillow for one head,
My years of random slurring and chemistry.
Don't run from the season premier
(However I turn is soon to be done),
Or the pebbles cavorting in your wake.
They spit on the suitable offer, the current
Beneath cordial like blankets quilted under picnics,
Wailing buckets about has-been coupons expired,
In lesser venues and crowds—so we may never get to check out
On a day like today, or yesterday.
No live organism can continue for long to exist sanely under conditions of
absolute reality; even larks and katydids are supposed, by some, to dream.
Hill House, not sane, stood by itself against its hills, holding darkness
within; it had stood so for eighty years and might stand for eighty more.
Within, walls continued upright, bricks met neatly, floors were firm, and
doors were sensibly shut; silence lay steadily against the wood and stone
of Hill House, and whatever walked there, walked alone.
-- Shirley Jackson, "The Haunting of Hill House"
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