No, it wasn't the same as my canyon-outlook,
But its stickiest fragment, a toe wiggle or a cough,
I pocketed. I remember
Drawing on red feathers the lost receipts
Of thrifty photographs, now adrift
In which direction? Isn't anyone
At the hole for us? We match well.
Thoughts resume their art. Autumn rakes
Are knee-deep. My son writes,
"not yet." Much interference is dialed-in
As the eavesdropper knows, but my own feeling
Is better viewed from a cliff.
Why no respite from outsider predictions,
From these dandelion idiots? This passion for blinds?
Coincidentally the hailstones, falling like crumbs,
Will always aggressively ask the window for seconds.
Not the case with my catalog picture of you
Under the mistletoe. Bundled there
Are whodunits and nibbles of cookie—
Lumpy potatoes, lumps of pillow for one head,
My years of random slurring and chemistry.
Don't run from the season premier
(However I turn is soon to be done),
Or the pebbles cavorting in your wake.
They spit on the suitable offer, the current
Beneath cordial like blankets quilted under picnics,
Wailing buckets about has-been coupons expired,
In lesser venues and crowds—so we may never get to check out
On a day like today, or yesterday.
The Least Successful Collector
Betsy Baker played a central role in the history of collecting. She
was employed as a servant in the house of John Warburton (1682-1759) who had
amassed a fine collection of 58 first edition plays, including most of the
works of Shakespeare.
One day Warburton returned home to find 55 of them charred beyond
legibility. Betsy had either burned them or used them as pie bottoms. The
remaining three folios are now in the British Museum.
The only comparable literary figure was the maid who in 1835 burned
the manuscript of the first volume of Thomas Carlyle's "The Hisory of the
French Revolution", thinking it was wastepaper.
-- Stephen Pile, "The Book of Heroic Failures"
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